PRESS AND NEWS.

Vera Canevazzi spoke on ILI TV Channel's live broadcast of #ARTECONOMIA, along with other industry experts. The discussion delved into the latest market trends, the influence of events such as the Venice Biennale, and new opportunities and challenges related to digital.

Vera Canevazzi wrote. an article for Collezione da Tiffany magazine on the transformation of the art market in relation to the prestigious Venetian event, exploring in particular the trends that emerged in this year's edition.

Vera Canevazzi lectured on art consulting and investing in art as part of Professor Alessia Zorloni's course "The Professions of Art." 

The editorial staff of the Corriere di Novara has published an article on the exhibition "Enchanted Visions" by the Piedmontese artist Alessandro Abruscato hosted at the Antonio Ligabue House Museum in Gualtieri.

The editorial staff of the Reggio Gazette dedicated an article to Alessandro Abruscato's solo exhibition "Enchanted Visions" at the Antonio Ligabue House Museum, curated by Vera Canevazzi and Margherita Strada.

Margherita Strada, a partner in the firm, in her article, "Making Art with Nature: a Tale of Two Italian Artists," recounts the Land Art movement and the most famous international artists who celebrate nature and landscape.

Margherita Strada, a partner in the firm, in her article published in WeWealth, "The Word (Written, Drawn, Cut Out, Painted or Sculpted) in Art: Part Three," examines the use of words in contemporary works of art.

Margherita Strada, a partner in the firm, in her article published in WeWealth, "The Word (Written, Drawn, Cut Out, Painted or Sculpted) in Art: Part Two," continues to investigate the use of words in different artistic expressions.

Elisabetta Roncati (artnomademilan), Art Sharer from Milan, created a reel and other content on Instagram dedicated to the exhibition "Antonio Bassanini Costruttori del Novecento."

Margherita Strada, a partner in the firm, in her article published in WeWealth, "The Word (Written, Drawn, Cut Out, Painted or Sculpted) in Art: Part One," explores the world of words in different artistic expressions within the history of art.

The 2 p.m. edition of TGR Lombardia aired Cristina Sanna Passino's report dedicated to the exhibition "Antonio Bassanini Constructor of the Twentieth Century," curated by Chiara Bassanini, Giovanna Franco Repellini, and Andrea Strambio De Castillia, at the Masnago Castle.

Massimo Venturelli wrote for La Voce del Popolo a preview of the exhibition "Journey to the Region of Obvious Evidence. Twenty Years of Albano Morandi among the Mechanics of Wonder" curated by Ilaria Bignotti and Camilla Remondina at Palazzo Averoldi in Brescia.

Giovanna Galli in her article "Donzelli and Pezzi dialogue on vision in the 'enchantment' of matter and form" published in the Giornale di Brescia reviewed the two-person exhibition "Spellbound" dedicated to two Brescian artists Maurizio Donzelli and Paola Pezzi curated by Alberto Fiz and Marco Tonelli.

Lucia Lombardi in corriere Romagna published a review of Marco Morosini's exhibition "uominiuomini," curated by Ilaria Bignotti and Vera Canevazzi, at the Museo della Regina and Galleria Santa Croce, Via Giovanni Pascoli, 21 in Cattolica. 

Antonella Boisi wrote, for Interni Magazine, an interesting article on Tiziana Lorenzelli's "Entropia Cosmica" exhibition curated by Vera Canevazzi and Margherita Strada that was held during Milan Design Week on the facade and spaces of Palazzo Bocconi in Milan. A project of Azimut Group, in collaboration with Cortesi Gallery.

Cristiana Campanini in her article "Rae Martini between ancient books and regenerating fire" published in Arte (June 2023) reviewed Rae Martini's solo exhibition "Tempoforma" curated by Ilaria Bignotti, at the Federico Rui Gallery in Milan, whose press office activities we followed.

Interview by Francesca di Giorgio with artist Lucrezia Roda in issue 121 of Espoarte magazine.

Roberta Scorranese wrote an article about the exhibition at the ADI design Museum, with project management by Vera Canevazzi and Beatrice Ravelli: "Antonio Bassanini the Fair Builder Who Invented the Twentieth Century."

Giuseppe Matarazzo has written an article in which he recounts Bassanini's "construction site," one of the themes of the exhibition "Antonio Bassanini Constructor of the Twentieth Century," whose entire project management we followed together with Beatrice Ravelli.

During the 2 p.m. newscast, Cristina Sanna Passino's report on the exhibition "Antonio Bassanini Constructor of the Twentieth Century" was aired, of which we followed the entire project management together with Beatrice Ravelli.

In the article "Bassanini's construction sites that changed the face of Milan," Nicola Baroni recounts the exhibition "Antonio Bassanini Constructor of the Twentieth Century," for which Vera Canevazzi and Beatrice Ravelli supervised all project management

Mimmo di Marzio in his article "Bassanini, the builder who made 20th century Milan" reviews the exhibition opened at the ADI Design Museum for which Vera Canevazzi and Beatrice Ravelli coordinated the project management

Silvia Icardi wrote an article titled "The Enlightened Builder" on the occasion of the opening of the exhibition "Antonio Bassanini Builder of the Twentieth Century" for which Vera Canevazzi and Beatrice Ravelli supervised the project management

The editorial staff of Mondo Padano dedicated a page to the exhibition opened in the new space Metalli d'autore Hangar in Cremona, curated by Ilaria Bignotti and Vera Canevazzi, with the article "Minerali Cosmogonie. In dialogue the recent works of Giorgio Palù and Tiziana Lorenzelli."

The 7 p.m. news featured a report on the opening of the new Metalli d'Autore Hangar space in Cremona with the opening of the exhibition "Minerali Cosmogonie. Tiziana Lorenzelli | Giorgio Palù," curated by Ilaria Bignotti and Vera Canevazzi

Mariagrazia Teschi wrote an article for La Provincia entitled "The Double Look at Art. Elective affinities exist," in which she recounts the exhibition "Mineral Cosmogonies" opened at Metalli d'Autore Hangar in Cremona, curated by Ilaria Bignotti and Vera Canevazzi.

On the occasion of the inauguration of thethe exhibition GLASS POWER. The power of fragility by Lucrezia Roda, curated by Vera Canevazzi, at Cortesi Gallery in Lugano, Mariella Rossi wrote an article in "Vedere in Ticino" of "Il Giornale dell'Arte," "Fragility can be powerful."

Stefania Briccola interviewed Lucrezia Roda on the occasion of the exhibition.  GLASS POWER. The power of fragility by Lucrezia Roda, curated by Vera Canevazzi at Cortesi Gallery, Lugano, in the article My glass images created in a furnace