PRESS AND NEWS.

Sara Polotti in her article on the exhibition dedicated to Albano Morandi's 20 years of activity in the Mechanics of Wonder, tells about the layout, the works and all the documentary materials accompanying the exhibition curated by Ilaria Bignotti and Camilla Remondina at Palazzo Averoldi in Brescia.

Elia Zupelli in his article "Meccaniche della Meraviglia showcases its 20 years" published for Bresciaoggi recounts the details of the exhibition dedicated to Albano Morandi for his 20 years inside Meccaniche della Meraviglia, curated by Ilaria Bignotti and Camilla Remondina.

Massimo Venturelli wrote for La Voce del Popolo a preview of the exhibition "Journey to the Region of Obvious Evidence. Twenty Years of Albano Morandi among the Mechanics of Wonder" curated by Ilaria Bignotti and Camilla Remondina at Palazzo Averoldi in Brescia.

Margherita Strada, associate of the firm, in her article "Pietrasanta, pearl of art and culture in Tuscany," tells for We Wealth about the cultural atmosphere of the Tuscan town.

Jonathan Vecchini in his article "Spellbound: Maurizio Donzelli and Paola Pezzi, a Brescian Dialogue" reviewed the two-person exhibition "Spellbound" dedicated to Maurizio Donzelli and Paola Pezzi at Palazzo Martinengo Cesaresco in Brescia, curated by Alberto Fiz and Marco Tonelli.

Chiara Stefanini, Junior Art Consultant at the studio, wrote an article for Exibart about the activities of Centrale di Fies, a contemporary performing arts laboratory.

Massimo Venturelli wrote a review on the opening of the two-person exhibition "Spellbound" dedicated to Maurizio Donzelli and Paola Pezzi at Palazzo Martinengo Cesaresco in Brescia, Italy, curated by Alberto Fiz and Marco Tonelli.

Michele Maestroni's report aired Friday, July 7, on Teletutto dedicated to the opening of the exhibition "Spellbound" by Maurizio Donzelli and Paola Pezzi curated by Alberto Fiz and Marco Tonelli at Palazzo Martinengo Cesaresco in Brescia.

The editorial staff of La Lettura reported on the two-person exhibition "Spellbound" dedicated to Maurizio Donzelli and Paola Pezzi at Palazzo Martinengo Cesaresco in Brescia, also publishing an image of a work by Maurizio Donzelli featured in the exhibition.

Elia Zupelli in his article "Magical "Spellbound" with a double signature" published in Brescia Oggi tells about the bipersonal exhibition "Spellbound" dedicated to Maurizio Donzelli and Paola Pezzi, curated by Alberto Fiz and Marco Tonelli, at Palazzo Martinengo Cesaresco in Brescia.

Giovanna Galli in her article "Donzelli and Pezzi dialogue on vision in the 'enchantment' of matter and form" published in the Giornale di Brescia reviewed the two-person exhibition "Spellbound" dedicated to two Brescian artists Maurizio Donzelli and Paola Pezzi curated by Alberto Fiz and Marco Tonelli.

Chiara Stefanini, the studio's Junior Art Consultant, interviewed Fabrizio Plessi for Exibart on the occasion of his solo exhibition MARIVERTICALI at Palazzo Reale in Milan curated by Bruno Corà, Alberto Fiz and Marco Tonelli, with exhibition design by Lissoni & Partners.

Lu Bertolini interviewed Marco Morosini on the occasion of his solo exhibition "uominiuomini," curated by Ilaria Bignotti and Vera Canevazzi, at the Museo della Regina and Galleria Santa Croce in Cattolica, open until Oct. 1, 2023.

Lucia Lombardi in corriere Romagna published a review of Marco Morosini's exhibition "uominiuomini," curated by Ilaria Bignotti and Vera Canevazzi, at the Museo della Regina and Galleria Santa Croce, Via Giovanni Pascoli, 21 in Cattolica. 

Debora Grossi in her article "Marco Morosini's "Men. The art of going against the grain" published in the Resto del Carlino reviewed. the solo exhibition "uominiuomini," curated by Ilaria Bignotti and Vera Canevazzi, which can be visited until Oct. 1 at Santa Croce Gallery, Queen's Museum and Maritime Museum, Cattolica.

The editorial staff of Corriere Adriatico published an article dedicated to the solo exhibition "uominiuomini," curated by Ilaria Bignotti and Vera Canevazzi, which can be visited until Oct. 1 at Santa Croce Gallery, Queen's Museum and Maritime Museum, Cattolica.

Gaia Badioni published an article in Inside art about the group exhibition "Everything in its (Right) Place," curated by Domenico de Chirico, at A.MORE gallery spaces in Milan, for which the studio handled the press office and communications.

Chiara Stefanini, Junior Art Consultant at the studio, interviewed Massimiliano Gioni for Exibart on the occasion of the first 20 years of nomadic activity of the Nicola Trussardi Foundation in Milan and the opening of Diego Marcon's solo exhibition "Dramoletti" at the Gerolamo Theater in Milan.

Antonella Boisi wrote, for Interni Magazine, an interesting article on Tiziana Lorenzelli's "Entropia Cosmica" exhibition curated by Vera Canevazzi and Margherita Strada that was held during Milan Design Week on the facade and spaces of Palazzo Bocconi in Milan. A project of Azimut Group, in collaboration with Cortesi Gallery.

Francesca Vertucci in her article "When Everything is in the Right Place. An exhibition with the scent of freedom and authenticity opens in Milan" published in Proiezioni di Borsa, a review of the newly opened exhibition "Everything in (its) right place" curated by Domenico de Chirico at A.More Gallery Milan.

Chiara Stefanini, Junior Art Consultant at the studio, interviewed gallery owner Giò Marconi on the occasion of the major retrospective "Gianni Colombo. A Space Odyssey" dedicated to one of the leading exponents of kinetic and environmental art. 

Cristiana Campanini in her article "Rae Martini between ancient books and regenerating fire" published in Arte (June 2023) reviewed Rae Martini's solo exhibition "Tempoforma" curated by Ilaria Bignotti, at the Federico Rui Gallery in Milan, whose press office activities we followed.

Vera Canevazzi will be part of the jury for the first edition of the Vittoria Castagna Prize in the context of Cortona On The Move, an initiative aimed at young people under 30 who want to pursue careers in culture marketing and cultural design.

Chiara Stefanini, Junior Art Consultant at the studio, wrote a review of Beatrice Sancinelli's exhibition "Noise of Mood" at Chiostro del Carmine Bergamo. An example of a project that is at the same time audio-visual, performative and multisensory.

Interview by Francesca di Giorgio with artist Lucrezia Roda in issue 121 of Espoarte magazine.

The ArtsLife editorial team published the article "Tempoforma. Language and Time in Rae Martini's Latest Works on Show in Milan" about Rae Martini's solo exhibition curated by Ilaria Bignotti at Federico Rui Arte Contemporanea gallery.

Giorgia Massari wrote for Collateral Magazine the article "Rae Martini: from walls to canvases" about Rae Martini and the solo exhibition "Tempoforma," curated by Ilaria Bignotti.

Margherita Strada, associate of the firm, in her article "Miart 2023, the best of the art weekend in Milan" for WeWealth recounts the latest edition of Miart, the international modern and contemporary art fair in Milan that just ended.

Alessandro Ubertazzi in his article "Milan is tinged with blue by crumpling...the light" for the Giornale d'Italia recounts and reviews Tiziana Lorenzelli's exhibition "Entropia Cosmica" curated by Vera Canevazzi and Margherita Strada at Palazzo Bocconi in Milan.

Alessandro Viapiana in L'Officiel mentioned Tiziana Lorenzelli's exhibition "Entropia Cosmica" curated by Vera Canevazzi and Margherita Strada at Palazzo Bocconi in Milan in his selection of Design Week events.

Rossella Ghezzi reported on ViviMilano about Tiziana Lorenzelli's exhibition "Entropia Cosmica" curated by Vera Canevazzi and Margherita Strada at Palazzo Bocconi in Milan, in collaboration with Cortesi Gallery.

Tiziana Lorenzelli's exhibition "Cosmic Entropy" curated by Vera Canevazzi and Margherita Strada at Palazzo Bocconi in Milan, in collaboration with Cortesi Gallery, has been reported among the art events by Tutto PORCHE

Margherita Strada, reviewed Michelangelo Pistoletto's exhibition "La Pace Preventiva" at Palazzo Reale, in the Sala delle Cariatidi, Milan. Curated by Fortunato D'Amico, the exhibition celebrates the 90th birthday of one of Italy's leading contemporary artists.

Chiara Stefanini was confronted by Emanuele Norsa of Milan's Ncontemporary gallery and the artist Giulia Maiorano on his solo exhibition at the Museum of the 900 in Milan, as part of ArtVerona's "Level 0" award.

The editorial staff of Corriere della Sera included Tiziana Lorenzelli's exhibition "Entropia Cosmica" curated by Vera Canevazzi and Margherita Strada among the 1,200 must-see events of Design Week.

Chiara Stefanini wrote an article about Stefano Riboli's "Digital Dynamism" exhibition supported and realized together with PROGETTO LUDOVICO, a concept conceived by collector Lorenzo Perini Natali

Margherita Strada interviewed Gemma De Angelis Testa, collector and patron, who recently donated her prestigious collection to the MUVE Fondazione Musei Civici di Venezia.

Vera Canevazzi lectured at the Economics and Management for Art and Culture master's program at the 24Ore Business School in Rome, where she will explain to students the role of the art consultant in the economic evaluation of artists and works of art.

Vera Canevazzi gave a lecture at the Master in Culture Management at RCS Academy in Milan where she explained to students the role of the art consultant in the management and enhancement of art collections.

Vera Canevazzi wrote an essay titled "The NFT art market: characteristics, advantages and open questions" published in the third issue of the academic journal Humaniamo Tecnologico edited by the Santa Giulia Academy of Fine Arts in Brescia.

Giuseppe Matarazzo has written an article in which he recounts Bassanini's "construction site," one of the themes of the exhibition "Antonio Bassanini Constructor of the Twentieth Century," whose entire project management we followed together with Beatrice Ravelli.

During the 2 p.m. newscast, Cristina Sanna Passino's report on the exhibition "Antonio Bassanini Constructor of the Twentieth Century" was aired, of which we followed the entire project management together with Beatrice Ravelli.

In the article "Bassanini's construction sites that changed the face of Milan," Nicola Baroni recounts the exhibition "Antonio Bassanini Constructor of the Twentieth Century," for which Vera Canevazzi and Beatrice Ravelli supervised all project management

Mimmo di Marzio in his article "Bassanini, the builder who made 20th century Milan" reviews the exhibition opened at the ADI Design Museum for which Vera Canevazzi and Beatrice Ravelli coordinated the project management

Silvia Icardi wrote an article titled "The Enlightened Builder" on the occasion of the opening of the exhibition "Antonio Bassanini Builder of the Twentieth Century" for which Vera Canevazzi and Beatrice Ravelli supervised the project management

Roberta Scorranese wrote an article about the exhibition at the ADI design Museum, with project management by Vera Canevazzi and Beatrice Ravelli: "Antonio Bassanini the Fair Builder Who Invented the Twentieth Century."

Barbara Caffi reported for La Provincia on the opening of the exhibition "Minerali Cosmogonie. Tiziana Lorenzelli | Giorgio Palù," curated by Ilaria Bignotti and Vera Canevazzi, in her article "The beginning or the end of the world."

The 7 p.m. news featured a report on the opening of the new Metalli d'Autore Hangar space in Cremona with the opening of the exhibition "Minerali Cosmogonie. Tiziana Lorenzelli | Giorgio Palù," curated by Ilaria Bignotti and Vera Canevazzi

The editorial staff of Mondo Padano dedicated a page to the exhibition opened in the new space Metalli d'autore Hangar in Cremona, curated by Ilaria Bignotti and Vera Canevazzi, with the article "Minerali Cosmogonie. In dialogue the recent works of Giorgio Palù and Tiziana Lorenzelli."

Mariagrazia Teschi wrote an article for La Provincia entitled "The Double Look at Art. Elective affinities exist," in which she recounts the exhibition "Mineral Cosmogonies" opened at Metalli d'Autore Hangar in Cremona, curated by Ilaria Bignotti and Vera Canevazzi.

On the occasion of the inauguration of thethe exhibition GLASS POWER. The power of fragility by Lucrezia Roda, curated by Vera Canevazzi, at Cortesi Gallery in Lugano, Mariella Rossi wrote an article in "Vedere in Ticino" of "Il Giornale dell'Arte," "Fragility can be powerful."

Stefania Briccola interviewed Lucrezia Roda on the occasion of the exhibition.  GLASS POWER. The power of fragility by Lucrezia Roda, curated by Vera Canevazzi at Cortesi Gallery, Lugano, in the article My glass images created in a furnace

The newspaper's editorial staff wrote an article about the exhibition  GLASS POWER. The power of fragility by Lucrezia Roda, curated by Vera Canevazzi at Cortesi Gallery, Lugano, in the article The power of glass, Lucrezia Roda's images on display in Lugano